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Just look at some of the lighting, craft, production design, and shadow play — Maa embodies competent filmmaking, almost all the way. To the extent that you could even deem this a 134-minutes’ excuse for placing all available VFX (visual effect) chops on display. Now, the

My WhatsApp got hacked (& has been since). Hence, couldn’t access the e-paper, and posting this review later than usual. That said, frankly, I don’t think I’ve seen a film lately that so belongs to its times as Metro In Dino. And I don’t mean this in a way of how it is, after

The Amazon Prime Video flagship film, Heads of State, opens with Priyanka Chopra Jonas slithering through a truck during crackerjack stunt sequences, at the La Tomatina festival, in Bunol, Spain. Now, where do Indians know this annual August gathering that involves pelting

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If you aren’t aware of it already, may I please recommend to you this movie called Malik. Observe, in particular, how it starts off with almost a 10-minute single-take shot, using the camera as a dragon fly through the walls of a local don named Ali, that is Fahadh Faasil. Of

Mayank Shekhar मयंक शेखर Materialists Chris Evans Pedro Pascal Daily dakota johnson gifs best of dakota johnson I am not able to recollect the exact line but something you wrote about Rohena Gera’s Sir. Something to the effect - How the film leaves you with thoughts about who you are and that’s the uncomfortable part. That’s what Materialists does as a movie!

A few months ago, two young professionals got in touch with me to specifically discuss the relationship/separation between the art, & the artiste, as subject for a recorded conversation. What I didn’t realise was—that was, in fact, merely an entry point to a wider podcast on

Right with his opening sequence, the young, debutant hero here takes on nepotism, rather head-on. Nepotism being the largely Bollywood term now, which means networking everywhere else. Hero barges into the office of a pop-culture website, Buzzlist; whacks the hell out of its

3 = good. 4 = can/will watch again. 2.5 = sitting on the fence; even I can’t decide, if I loved or not. Have never rated a movie 2.5/5. That’s about all the rudimentary mental math one can do, equating a film to a number, which is altogether reductive anyway! :)

Hey, thank you :)