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Shut the front door Alcaraz! Simply incredible.

What a final! What incredible champions both of them. There is no escape from Alcaraz for the next decade.

Kya munna… thoda toh bharosa rakho

You watched Omertà. Bravo. Still don’t understand the reason to write a post — in wrong grammar — to the filmmaker. Nation full of stories, yes. Also full of free advice and unpaid editors. Positive, negative step aside. You can still make up for lost time… by not wasting more

Major Air Disasters in India:🇮🇳 ◾️Patna, 2000 - Boeing 737-200 - 60 dead ◾️Mangalore, 2010 - Boeing 737-800 - 158 dead ◾️ Kozhikode, 2020 - Boeing 737-800 - 21 dead and ◾️ Ahmedabad, 2025 - Boeing 787 Dreamliner - 200+ dead One of the worst aviation tragedies in Indian

Is Boeing a repeat offender?

England 1-0 ?

Triple Nelson?

Just caught up with #TheBuckinghamMurders classic Hansal Mehta brilliance. Raw, unflinching storytelling that unpacks the clash of minorities, moral ambiguity, and emotional weight with rare sensitivity. Kareena Kapoor delivers one of her most nuanced performances yet.

It's been a banner year for film censorship in India. Wrote at length in this week's Lounge about the experiences of four films—Punjab ’95, Santosh, L2: Empuraan and Phule—and the impossible task of getting films past the censors unharmed livemint.com/mint-lounge/ar…

Power protects itself—not by rewarding talent, but by promoting those who won’t threaten it.

When a friend dies, grief expresses itself in memories, in stories, in guilt, in unfinished conversations. I shared mine with honesty and affection. If you see narcissism in that, it says more about your lens than my intent. Also, I don’t need to “hype” a film made over seven

My thoughts on F1 F1 applies every familiar screenwriting trope from the underdog sportsperson playbook: the tormented past, the fractured team, the old-vs-young dynamic, and the predictable trajectory from rock bottom to redemption. You can almost hear the structure ticking

The best take on the movie so far. For some reason F1 hasn’t invited the sort of scrutiny Ford v Ferrari or Rush did. And they were vastly superior films featuring top-shelf talent and writing. F1 is a predictable but thrilling ride that’s cast a spell over critics

Do these generic, template promotions for films and series actually work? Do they make people watch? Do they make the film/series any better? Or do they simply sustain an ecosystem built on illusion—PR agencies, costume designers, event planners, influencers, sponsors, red

I feel If the trailer has a hook, mystery, raises curiosity instead of revealing full story or act as showreel of a star, which most do, then that should be enough to get the audience. Rest of the PR around release has zero impact on people actually watching film/series.

Long outdoor shoots don’t have to be stressful. They can be meditative - if you’re not busy running away from yourself. While making Simran I spent months doing just that. Escaping pressure with food, drink, anything that numbed. It didn’t help. Less than a year later I had a

There is something inspiring about watching a genius in decline. Novak Djokovic is up against a younger, faster version of himself. He tumbles. He dives. He chases the ball with dignified desperation. Only to find out it isn't good enough. It once used to be. Match point down,