
Mike Classon Frangos
@mikefrangos
senior lecturer, english literature, växjö/stockholm (he/him)
ID: 27587088
30-03-2009 04:52:21
1,1K Tweet
195 Followers
106 Following


"Liv Strömquist's Fruit of Knowledge and the Gender of Comics" by Mike Classon Frangos. Read with #OpenAccess in European Comic Art: bit.ly/3bNo42J #feminism #genderstudies



“If modernism was carried to some prominence by the emerging discipline of English, what does it mean that the humanities are being eroded precipitously in universities today?” Johanna Winant on the centenary of modernism’s annus mirabilis: bostonreview.net/articles/a-cen…

My take in The Conversation Africa on #COP27: Climate crisis in Africa exposes real cause of hunger – colonial food systems that leave people more vulnerable theconversation.com/climate-crisis… HLPE-FSN POLLEN American Association of Geographers @JennClapp CSIPM ConsumingUrbanPoverT Brian Dowd-Uribe Prof. Farhana Sultana 🦋 @farhanasultana.com Hilal Elver SR Food #heymac






for the The Guardian, I was asked to review the latest Freud Christmas movie (Freud's Last Session) & offer some final reflections from 2023--the year that, among many other things brought a Freud revival. with huge thanks to Sam Wolfson: theguardian.com/us-news/2023/d…


OUT TOMORROW!!! ANTI-WORK AESTHETICS "Working conditions transform . . . but the horror of work remains." ed: Madeline Lane-McKinley (madeline lane-mckinley 🍉🍉🍉) and Johanna Isaacson (Johanna Isaacson) &&feat: Alya Ansari (@alyaimsorry) Shinjini Dey (khitkhite buri) Dominick Knowles


*Out today* 'Decadent Plays: 1890–1930' edited by Adam Alston & Jane Desmarais 🕷🇪🇺🇺🇦🌻🏳️🌈🦋 is the first anthology to present a collection of ‘decadent’ plays staged and published in Europe and North America between 1890 and 1930. Find out more: bit.ly/3RGS87F




Struggling right now with health & it's discouraging not to be able to work on new research. But my spirits were lifted today to get author copies of Tracking Capital, co-written with Stephen S. & Michael Niblett. Many thanks to Rebecca Colesworthy for shepherding it into print!

