Luca Guadagnino on Daniel Craig, Sex Scenes, Neopuritanism, Unrequited Love, Stalkers, and the Philosophy of ‘Queer’ indiewire.com/features/inter…

The Last Moments of ‘Queer’ Tell a Murderous True Story About William S. Burroughs’ Haunted, Tragic Life indiewire.com/features/inter…

Spoke to Brady Corbet and Mona Fastvold — the kind of tranquilly aligned, same-frequency-riding duo you want to take you home and make you their child — about THE BRUTALIST, MYSTERIOUS SKIN vs, the MPA, sex scenes, Michael Haneke, and more. indiewire.com/features/inter…

Halina Reijn on ‘Babygirl,’ Botox, and That Kinky Milk Scene: Intimacy Coordinators Allow for ‘More Extreme Sex’ Onscreen indiewire.com/features/inter…

Fernanda Torres on Her Surprise Golden Globe Win, ‘I’m Still Here,’ and the Nepo Baby Debate: It’s ‘the Wrong Fight’ indiewire.com/awards/conside…

‘Blue Velvet’ DP Frederick Elmes Remembers David Lynch: He Allowed Me to Trust Ideas ‘That Seem Out of the Ordinary’ indiewire.com/features/inter…

Mary Bronstein's surreal, hilarious & super harrowing "If I Had Legs I'd Kick You" is easily the best movie i've seen at Sundance so far. come for a career-best Rose Byrne as an unraveling mom, stay for Conan O'Brien as her miserable therapist my review: indiewire.com/criticism/movi…

‘Kiss of the Spider Woman’ Review: Jennifer Lopez Is an Out-of-this-World Diva in a Musical Movie That Struggles to Land Back on Earth indiewire.com/criticism/movi…

#Sundance: Ben Whishaw and Rebecca Hall play 1970s New York artists in a gorgeous monologue of a movie that becomes one you want to live inside. Read our review for Ira Sachs' latest "Peter Hujar’s Day": indiewire.com/criticism/movi…

this movie rules

Todd Solondz on ‘Palindromes’ Restoration and His Stalled ‘Love Child’: ‘It Could Happen Tomorrow… Or It Could Never Happen’ indiewire.com/features/inter…

I spoke to Sarah Polley about length about many things besides THE STUDIO — from a critic who told off TAKE THIS WALTZ to her face after a press screening to where the legacy of Alice Munro, whose story she adapted for AWAY FROM HER, stands after last year’s unsettling news.

I spoke to Celine Song about her new film MATERIALISTS (and will have more to share from her this weekend on the film's ending): indiewire.com/features/inter…

#Venice: Kathryn Bigelow's explosively entertaining cautionary tale about the U.S. government's response to a fictional-in-premise-only nuclear attack will ruin your day. You're welcome. Read our Critic's Pick review for "A House of Dynamite": indiewire.com/criticism/movi…

Spoke to "Megadoc" director Mike Figgis about his "Megalopolis" making-of documentary, Shia LaBeouf's temperament on set, Francis Ford Coppola's mercurial style, and what Figgis actually thinks about the movie... indiewire.com/features/inter…

Kogonada's "A Big Bold Beautiful Journey," which he directs from a lousy and mawkish Black List script, is neither bold nor beautiful, and features a Margot Robbie who is styled like she just came back from a semester abroad in Londontown. My review. indiewire.com/criticism/movi…

Spoke to Rose Byrne and writer/director Mary Bronstein in depth about IF I HAD LEGS I'D KICK YOU, one of the best films of the year and one so dread-soaked and Byrne-peak-performance-steeped that you emerge feeling drenched. And eager to see it again. indiewire.com/features/inter…

Went long on DIE MY LOVE with Lynne Ramsay who, in her charmingly strong Scottish accent, talked cuts made since Cannes and Scorsese's support, anxiousness around WE NEED TO TALK ABOUT KEVIN's premiere, and MORVERN CALLAR's unexpected popularity with Gen Z.

Kicking off a week of EYES WIDE SHUT-centric content at IndieWire in time for the Criterion Collection release, my interview with DP Larry Smith with memories from Stanley Kubrick’s set — and on the superiority of the new version.

Todd Field on ‘Eyes Wide Shut’ and His First Meeting with Stanley Kubrick: ‘I Know Who the F**k You Are, I Hired You’ indiewire.com/features/inter…