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Just back from the most amazing trip to Finland and the Arctic Circle. This piece reminds me of the auroras we watched dance across the sky every night. generative art + riso

A morning, day, sunset and night Himinn by Sarah Ridgley

At the risk of the longest name drop in x history.. A dark and cloudy walk through (mostly) coded art from - Marcelo Soria-Rodriguez Casey REAS Iskra Velitchkova ⚫️➖ piterpasma ciphrd KiM ASENDORF Joëlle ertdfgcvb 𓅰 𓅬 𓅭 𓅮 𓅯 p1xelfool Rich Poole Víctor Doval Christian Bok Sarah Ridgley

FIFTY DAYS AT ILIAM YOU MUST GUARD THE DOORWAY OF YOUR EMPTY CHAPEL [Collected by mark webster 🪸 and @teleculture—with many thanks for this support, via Sarah Ridgley and @theverseverse. The page is now sold out!] ————— objkt.com/tokens/KT1PUSR…

Welcoming Himinn #276 by Sarah Ridgley to my collection! I have admired this project for so long…amazing art & artist.

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Now open 💥 liasomething (same handle everywhere) and Sarah Ridgley at Museum of the Moving Image Part of: Compositions in Code: The Art of Processing and p5.js A series co-presented by MoMI and the Tezos Foundation, in association with Processing Collect their fragments below ↓

Now on view in the Compositions in Code series: works by liasomething (same handle everywhere), an early adopter of Processing and a foundational figure in creative coding, and Sarah Ridgley, whose practice explores the materiality of code, both on the screen and beyond it.

Welcoming our May artist-in-residence, Sarah Ridgley, with a spotlight on her first artwork of the residency, titled Work in Progress: [ grass in my hair and clouds at my feet ]” (2025). Stay tuned for her upcoming works during this residency! #GAZELLiO #SarahRidgley

from my collection: viridaria 151 by Sarah Ridgley

Our May artist-in-residence, Sarah Ridgley is currently developing a new body of work, expanding on themes from her earlier piece The Words Were Only Coordinates (currently on view at the Museum of the Moving Image). (1/3)

Sarah Ridgley, Ateliers

Finally! Got some beautiful works by liasomething (same handle everywhere) and Sarah Ridgley. Thanks Museum of the Moving Image

Coach House Books is celebrating the successful completion of THE XENOTEXT after 25 years of "superhuman wizardry." I am releasing a special edition of the book, limited to 27 copies, boxed with 25+ artworks by supporters, including a glass slide, featuring the extremophile.

Friday night surprise 💚💚 thanks LoVid🫂📼 for documenting this moment from The Words Were Only Coordinates. On view at Museum of the Moving Image until the end of the month.

meanwhile…. ✍️👀

FIFTY DAYS AT ILIAM by me and Sarah Ridgley: