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Prepping pictures and photos for my slot at a women's workshop run by Teresa Armijos Burneo and Cristina Sala. In this activity, I'm asking if art helps people to share memories (of Fuego and otherwise). The questions try to explore distant and recent memories.

Are you interested in #Caribbean histories of #resistance & potential #futures in the face of #climatechange? Explore the relationship between #climatechange, #colonialhistories & divergent #ideological, #epistemological, and #theoretical #imaginaries ➡️ tinyurl.com/3dute7zj

Thank you Mirianna. It has been a real privilege to learn from and share with colleagues and people from different communities in St. Vincent. @MountainMonique ProfJenniBarclay richard robertson and JerryPhillips.

¡Una ciudad inteligente es una que CUIDA a las mujeres! Estuve en #SmartCityBog intercambiando ideas de innovación social y sobre las🍏#ManzanaDelCuidado, que creamos para atender a las mujeres y darles tiempo y servicios gratuitos para que cumplan sus SUEÑOS.

Of the 36 academic jobs to be cut UEA 31 are in the Humanities. No discipline will be spared, we are told. We have many strengths in HUM. I run the world-famous Creative Writing programme. This is us in Sept 2022 in Zimbabwe, with new writers. Literature@UEA changes lives.

Happy to share our new article "Decolonising wildfire risk management: indigenous responses to fire criminalization policies and increasingly flammable forest landscapes in Lomerío, Bolivia", sciencedirect.com/science/articl…

Gracias por decir lo que es. Otra versión del extractivismo y de responsabilidades más allá de las fronteras de nuestro país.

Hablar de geoética esta bien pero ya debería de ser un curso obligatorio en muchas instituciones en Guatemala. Entendamos los desastres NO son naturales, son el resultado de la mala gestión.

Good afternoon! We invite submissions to our session at #CoV12, "Festival of the Volcanic Arts", where we will explore imaginings related to volcanic landscapes and eruptions through the visual arts. Info in image below! Welcoming submissions until deadline of Sun, 8 Oct 🌋🎨

¡Buenas tardes! Invitamos propuestas para nuestra sesion en #CoV12, "Festival de Artes Volcánicas", en la que exploraremos imaginaciones relacionadas con paisajes volcánicos a través de las artes visuales. Detalles de inscripción en imagen; fecha tope para propuestas dom 8 oct

Please consider submitting your art work to the COV. ‘Festival of volcanic Arts’ panel. Deadline 8th of October.

Hello world! We are the Ixchel Project, funded by UK Research and Innovation Global Challenges Research Fund (GCRF) Expect tweets on various aspects of interdisciplinary disaster research in English and Spanish 🌋🇬🇹

A few days left to submit to our session. The submissions will not count as papers. Please send us a message if you have any questions!

A wee bit about us, we are an interdisciplinary group of over 50 researchers and partners from the UK, Guatemala and USA, including historians, social scientists, geographers, volcanologists, statisticians, modellers, anthropologists, researchers in media, urbanism...

Muy contenta de ver este capítulo publicado. Un trabajo hecho con mucho amor por muchas personas. Gracias!

Very happy to see this chapter published. A text written with love by inspiring colleagues and friends.

Very happy to see this paper published. Great experience working across disciplines to understand the role of storytelling in knowledge production and communication. Thank you Jenni and Richie!

This week we are in Lake Atitlán on a post-#CoV12 trip. On Day 0, we arrived in Santiago Atitlán after crossing the Lake, and learned about embroidering with some of our local partners. Cities on Volcanoes 12 Ixchel Project School of GeoSciences @ University of Edinburgh

📢Please consider submitting to our new special collection🚨 Community voices and volcanic risk reduction: co-production, participatory research, and community-led approaches to risk 👥🌋🏘️ Read more here 👇 biomedcentral.com/collections/CV…

Teresa Armijos Burneo at #RGSIBG24 on 'Re-imagining the Red Zone: Mapping relationships with the territory for disaster risk reduction' Areas at risk of disaster are much more than their hazards; we must capture the identities, relationships, and emotions connected to these spaces.