🔥The 9th Round of Easy Loan, Earn $40 Reward is in progress❗️ ⏰ Promotion Period: January 15th - Feburary 15th, 2025 👉 Register now and check more details at gate.io/campaigns/358

ART MARKET is now LIVE at our new gallery on objkt.com 🔥 Discover the exhibition 🔗 objkt.com/collections/ex…

My cover for @la_lettura by @corriere available tomorrow Feb 18th in Italy. The work I created explores the dichotomy between humans and AI, starting however from the human being as the focal point of the analysis. The central part of the work encloses my symbolic language

⌨️ Some views of details from the scene and behind the scenes. These images come from a video exploration/experiment that I'd like to incorporate to enrich the narrative of Phosphenesis…

Here's to hitting 10k on Instagram! 🔥 If you haven't followed us on Instagram yet, we invite you to join us there too. Thanks for your continued support in Fakewhale’s vision. instagram.com/fakewhale_xyz/

In an exclusive Wired Italia feature, journalist Francesca Amé highlights Jesse Draxler’s creative background and practice, as well as the groundbreaking use of PRNTD’s blockchain-based certification technology in powering his recent series of prints and U&I Exhibition book.

We are excited to share our global launch of our keynote video: blockdag.network/keynote ✅ RT this post please for mass adoption!

Sneak peak of my upcoming project “UNTITLED” produced by Valuart 👀

This week we're excited to spotlight Baxter ID, Baxter’s newest platform powered by MIOO Technology.

SOUL MORTEM, GOOD ARTISTS DO BAD THINGS Installation View, Curated by @AchilleIdol, Milan, May 2024 A collaborative piece by @jessedraxler and Skygolpe created in 2022, SOUL MORTEM explores themes of identity and void through a bold blend of physical textures and digital

Skygolpe (Skygolpe) returns to Christie's during our 21st Century Art Day Sale in Hong Kong with a unique physical work “PX8371S” from his iconic Paint on Pixel collection! Lot #387 will be live for in person bidding on May 29th in Hong Kong:

🚀 #BlockDAG Keynote From The Moon is here! 🌝 📢 RT for mass adoption! Next keynote drops Sep 30th! Don't miss out our huge $2 Million giveaway!💸 blockdag.network/keynote #BlockDAGMoon!

WUF STUDIO BASEL 2024 Introducing a preview what’s coming next week with the render of WUF STUDIO BASEL 2024. This dedicated space is designed to facilitate all press activities and interviews between media representatives and featured profiles during the @wufdotcom press-only

Last week, Lugano's sottopassaggio dei Cigni became the canvas for 'POST NO BILLS' — a continuation of @jessedraxler's ongoing @pnbmob performance-exhibitions. Presented by WUF | We Understand The Future / Valuart

I had a great time last week in Basel. I met with many old friends and fellow artists. On top of visiting Art Basel and Fondation Beyeler, I had the opportunity to share my artistic journey with ArtsLife during WUF | We Understand The Future. You can find below the full interview, where I’m

Palazzo Collicola, Spoleto’s flagship venue for modern and contemporary art, presents 'Trace_001' by gammatrace — a futuristic CGI exploration showcased as part of the 67th 'Festival dei Due Mondi' - Festival di Spoleto . The showcase features Gammatrace’s 'Nebuxel' collection

Fakewhale proudly presents “SYNTHETIC PROGRAM” In exclusive partnership with SuperRare, we are excited to announce the opening of a new Fakewhale gallery branch, debuting on November 27th. Reflective of the semiotics of new realities through AI Language & Video, "SYNTHETIC

Exciting news: Jesse Draxler's Pillar debuts at Christie’s "First Open | Post-War and Contemporary Art" auction. Featured in "Good Artists Do Bad Things," curated by @achilleidol, this marks Jesse’s first Christie's appearance. Bidding opens Dec 3, 10 AM EST → Dec 18.

.Jesse Draxler’s Pillar reached a remarkable conclusion at Christie's ‘First Open | Post-War and Contemporary Art,’ closing at an impressive $63,000. This defining result cements Draxler’s position among today’s most influential visionaries, affirming the work’s profound

Illustration by Jesse Draxler featuring Lorde for The New York Times, March 11, 2022.

Today we officially launch WUF Dubai 2025 – Issue 004, a powerful exploration into identity, geography, and decolonial narratives. Under the insightful curatorial leadership of Host Curator Giuseppe Moscatello, alongside 10 exceptional guest curators, this issue presents influential