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Kieran Culkin: "After the first season, he said something to me like, 'I'm worried that people might think that the show is a comedy.' And I said, ‘I think the show IS a comedy.' He thought I was kidding."

For the inaugural cartoons & puzzles issue of the The New Yorker, I wrote about why I started constructing crosswords at 14: newyorker.com/magazine/2021/… I’ll have 2 crosswords online this week too, so please … enjoy my symptom!

on landscapers newyorker.com/magazine/2021/…

"she could make migraines sound aspirational” Parul Sehgal nytimes.com/2021/12/23/boo…

Remnick on Roger: “He did as much to distinguish The New Yorker as anyone in the magazine’s nearly century-long history.” #RIP newyorker.com/news/postscrip…

Peter Schjeldahl on Picasso (quoted by Charles Finch). So good. nytimes.com/2019/05/24/boo…

Alas, alas, the great Peter Schjeldahl has died. His final published thoughts, on Wolfgang Tillmans, could equally well have applied to his own work:

And I spoke about my interview of Robert Hur and analysis of his comments on Biden, with the wonderful Tyler Foggatt on the The New Yorker Political Scene podcast: newyorker.com/podcast/politi…

This, by doreen st. félix, is of course the best thing written about Cowboy Carter so far newyorker.com/culture/cultur…

It’s actually pretty rare to read a profile of a politician and feel like you came away with some deep insight into the person. Here is one of those rare pieces. newyorker.com/magazine/2024/…

one bad thing about the internet is that it makes lots of interesting things feel sort of "normal." but it is not normal at all that via the new The New Yorker saturday "critic's notebook" column, you can read a new essay by doreen st. félix or Naomi Fry every week. that's crazy!

In the wake of Purdue’s loss to Houston, I’m reupping my piece from last week, which is about a lifetime of seeing Purdue basketball on the wrong side of these endgame scenarios newyorker.com/sports/sportin…

So incredibly proud of The New Yorker. In our centenary year, we have won three The Pulitzer Prizes. newyorker.com/news/press-roo…

Tom Cruise has become the Daniel Day Lewis of stunt work. On opening weekend of “Mission: Impossible - The Final Reckoning,” Tyler Foggatt reflects on Cruise’s career trajectory from prestige actor to epic stuntman. newyorkermag.visitlink.me/e39UMe

Delighted to discover Tyler Foggatt also major Tom Cruise fan. (Her piece on roots of his appeal is excellent.) The New Yorker newyorker.com/culture/the-we…

The transfer.