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"Control is difficult, which as creatives, I mean you want control. That was our general feedback to the researchers" Three Beta testers for OpenAI's Sora speak with Winston Cho about how it actually works hollywoodreporter.com/business/busin…

New: I talked to some staffers who are currently in Condé Nast "purgatory," on a provisional layoffs list but doing "centralized" work spanning brands until their union and management eventually come to an agreement hollywoodreporter.com/business/busin…

Although #HarveyWeinstein's conviction was overturned in New York, his upcoming appeal in California will likely be more difficult. I gave The Hollywood Reporter's Winston Cho my thoughts on why—read below: hollywoodreporter.com/news/general-n…

This THR story on how this connects with other Hollywood battles is rlly interesting & provides more context—ScarJo wrote the letters sent to OpenAI herself, and they may have also spoken to potential trademark issues in addition to right of publicity: hollywoodreporter.com/business/busin…

My profile of Bryan Freedman, the feared & controversial Hollywood attorney hired by the likes of Tucker Carlson, Gabrielle Union, Megyn Kelly, FKA Twigs, Bethenny Frankel & Don Lemon. The story examines his hardball tactics and troubled personal history. hollywoodreporter.com/business/busin…

"As Netflix confronts a torrent of defamation lawsuits, a steadily growing body of case law is chipping away at legal protections once thought to provide sweeping cover for dramatizations." New from Winston Cho: hollywoodreporter.com/business/busin…

From this smart piece by The Hollywood Reporter’s Rebecca Keegan and Winston Cho, which details the media circus at Alec Baldwin’s trial: “41 news organizations are credentialed to cover the event, the first celebrity trial ever in New Mexico.” hollywoodreporter.com/news/general-n…

"On paper, the Justice Department may have to squint to see the bona fides of what a legal challenge would look like ... That’s where the new merger guidelines come in." New from Winston Cho on the Paramount-Skydance merger review - hollywoodreporter.com/business/busin…

I wrote a little tribute to Shelley Duval. hollywoodreporter.com/movies/movie-f…

Everyone who worked on Sing Sing was paid the same wage and given equity. Now, the filmmakers are launching their own company to help others do the same with the hope of creating a sustainable independent film business that offers liveable wages. hollywoodreporter.com/movies/movie-n…

It’s the epic estate war that’s entangled Scorsese, Geffen, DiCaprio and more: Robbie Robertson’s glamorous restaurateur widow vs. his three children. ⁦Winston Cho⁩ and I investigate in this week’s The Hollywood Reporter. hollywoodreporter.com/news/music-new…

Another twist in the "Rust" saga: The film's ammo provider Seth Kenney talks to Winston Cho and I about the new bullet evidence which derailed Alec Baldwin's trial. He contends the deadly bullet didn’t come from him and alleges foul play. hollywoodreporter.com/news/general-n…

Why Los Angeles Is Becoming a Production Graveyard by ⁦Winston Cho⁩ hollywoodreporter.com/business/busin…

Memo to Newsom: "We also have a commercial industry that has been here in Los Angeles for many, many years," says Teamsters Local 399 principal officer Lindsay Dougherty. "That’s not included in the film and television tax credit." hollywoodreporter.com/business/busin…

This is one of my favorite features I've ever written, and I'm really scared it will be my last. A year ago, I flew to Korea as the only American print journalist invited to tour the set of SQUID GAME. hollywoodreporter.com/tv/tv-features… via @thr

What happens to film and TV production in Los Angeles after the wildfires? New from Winston Cho, Katie Kilkenny hollywoodreporter.com/business/busin…

Three months to the release of my debut novel — an exploration of aspiration, invention, illusion and delusion.

.Winston Cho and I somehow got to follow Jonathan Nolan, Patty Jenkins, Damon Lindelof and others around Sacramento for a day. They were there to talk about film and TV tax credits, but other things were going on. Our story: hollywoodreporter.com/business/busin…

Paramount Global believed it had a framework for a $3 billion new 10-year agreement w/ South Park creators Trey Parker & Matt Stone. Skydance, the studio’s likely new owner, balked at the terms. Reporting w/ Winston Cho and Alex Weprin. hollywoodreporter.com/business/busin…