
Zain Khalid
@zaintkhalid
Author: BROTHER ALIVE /// Work with/in @thedrift_mag, @bookforum, @newyorker, @nplusonemag, @bidoun etc.
ID: 1633388526
http://zaintkhalid.com 30-07-2013 17:25:09
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Iâm so excited I got to write about AntĂłnio Lobo Antunes for The Washington Post. His latest novel to be translated into English is a remarkable achievement that I canât stop thinking about. Dalkey Archive



For the new New Left Review, I translated this interview with Brazilian giant Roberto Schwarz on his neo-Brechtian play about the strange rise of the right: newleftreview.org/issues/ii153/aâŚ

What could a world after capitalism look like? This two-part article in the New Left Review is the result of five years of research. Iâll be turning it into a book later this year, so Iâd love to hear your comments and critiques. newleftreview.org/issues/ii153/aâŚ

thrilled to run an excerpt from Free Gifts in the new New Left Review asking what freedom might mean if we stop treating nature as a free gift




I profiled Richard Price for The New Yorker!!!! newyorker.com/culture/personâŚ



"The book expects something interesting to arise in due course through its breadth and chronological exhaustion, but fails to strike the kind of gold that comes only from a specific kind of digging at a specific site." Billy Lennon on Tim MacMahon clereviewofbooks.com/i-think-its-goâŚ

I love to write a rave about possibly being possessed by a Greek god in the American Midwest. On Michael Cluneâs PAN for Bookforum Magazine: bookforum.com/print/3201/angâŚ


This Luc Moullet series at Anthology Film Archives that the new film mag Narrow Margin is doing is major and I hope a lot of people go to see it.

âWeâve reached the limits of what moral outrage can do without material political power backing it up,â Eman Abdelhadi tells us in a new interview from Issue Fifteen. thedriftmag.com/we-will-not-wiâŚ

I wrote about Dubai, for New Left Review Sidecar newleftreview.org/sidecar/posts/âŚ


âI think that the difference between romantic and platonic relationships is a question of intensity,â Stephanie Wambugu told associate fiction editor Livia Wood in a Q&A about her debut novel, Lonely Crowds, excerpted in Issue Fifteen. newsletter.thedriftmag.com/p/a-question-oâŚ

for The Nation i wrote about the beauty (and virality) of Iranian brickwork thenation.com/article/culturâŚ